Ceramic Piece 1610

This piece (of series 1606 - 1610) sits at the intersection of extremes—unrefined Virginia red clay, stubborn in its refusal to be molded, against the smooth, commercially processed white clay. One resists, the other conforms. The contrast isn’t just visual; it’s a meditation on duality—how understanding one thing often demands experiencing its opposite. Rough meets smooth. Local meets global. Order meets chaos. Somewhere in that tension, something new emerges.