About Me

The conscious mind cannot see the unconscious—only trace where it’s been. My work begins here.

Using wild clay, erosion, and elemental processes, I build systems that let the hidden emerge without interference. Dripping water, collapsing forms, and slow decay become collaborators—allowing what’s buried to surface on its own terms.

I don’t sculpt what I want to say. I set conditions where something deeper might speak.

These are frameworks for revelation—not expression—because some truths can only be found by stepping aside.

The “penny model,” where each piece rises in price by a cent, is part ritual, part surrender. A quiet progression. A spiral inward. A way of allowing time to speak.

What I make isn’t meant to resolve. It’s meant to echo—like the unconscious itself. Pieces that feel like they’ve come from somewhere else. Not crafted, but found. Not explained, but known.

If something in the work stirs something in you—faintly, strangely, like déjà vu—that’s where the conversation begins.